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Good things in LA…

Last weekend’s trip to LA turned up some exciting new discoveries as well as an opportunity to see some extraordinary works by well known artists. LA’s art scene is rapidly growing with new galleries and artist-run spaces.

Art Los Angeles Contemporary Art Fair:

The work of Todd Gray at Meliksetian and Briggs was quite moving. Gray’s rich background both as artist (Cal Arts MFA in ’89) and collaborator with Michael Jackson make for a very interesting point of view. Gray’s time Ghana has become a significant influence in his new work. It struck a cord for us, as several years ago, we curated the collection for the US Embassy in Accra, Ghana. It’s a beautiful and complex culture and we see the sensitivity with which Gray has incorporated its ethos.

Todd Gray, Mirror Mirror, 2014, 2 archival pigment prints and found antique frames

Todd Gray, Mirror Mirror, 2014, 2 archival pigment prints and found antique frames

Todd Gray, Cape Coast Cosmos, 2014, archival pigment prints, antique found frame

Todd Gray, Cape Coast Cosmos, 2014, archival pigment prints, antique found frame

 

New work by Amir Nikravan looked great at Various Small Fires gallery. Nikravan’s work blurs the boundaries between painting, sculpture and photography, in fact to make his paintings, he actually lays the canvas onto physical forms and then paints it in its sculptural state before removing it and stretching the canvas. They are optical mysteries.

Amir Nikravan, Mask IV, 2015, acrylic on fabric over aluminum

Amir Nikravan, Mask IV, 2015, acrylic on fabric over aluminum

 

Nick Aguayo’s new work includes marble dust in the acrylic which makes for a beautiful ‘hand’ in the paint. Having just finished his MFA three years ago, it’s amazing that Aguayo’s work appears so resolved and confident.

Nick Aguayo, Untitled, 2015, acrylic and marble dust on canvas. photo courtesy Susanne Vielmeter Projects

Nick Aguayo, Untitled, 2015, acrylic and marble dust on canvas. photo courtesy Susanne Vielmetter Projects

It was great to see Henrik Eiben’s small scale watercolors, since much of Eiben’s work is geometric and often sculptural.

Henrik Eiben, Tiderays 2, 2015, watercolor, crayon on paper

Henrik Eiben, Tiderays 2, 2015, watercolor, crayon on paper

 

Galleries:

Sculptor Evan Holloway is showing for the first time at David Kordansky Gallery. Holloway’s work nods to “the do-it-yourself” innovation, mysticism and idiosyncratic engagement with contemporary culture” says Kordansky. This is a great exhibition showing the breadth of the artist’s oeuvre.

Evan Holloway, Serpent and Lightening, 2016, and Benzoin, 2015

Evan Holloway, Serpent and Lightening, 2016, and Benzoin, 2015

Museum quality show at Blum & Poe features some of the greatest American artists and their Korean counterparts. It was incredible to see the works juxtaposed in this really thoughtful and well curated show.

installation, Blum & Poe, Dansaekhwa and Minimalism, Lee Ufan, Sol Lewitt, Agnes Martin

installation, Blum & Poe, Dansaekhwa and Minimalism, Lee Ufan, Sol Lewitt, Agnes Martin

Art and technology is hot topic these days, especially here in the Bay Area. It works well when the technology is both the vehicle for the concept and also the best medium for expressing the idea. In his work London based multi-media artist Haroon Mizra (b. 1977)  looks to technology-influenced artists who came before him for inspiration and collaboration. LA based artist Channa Horwitz (1932 – 2015) made complex intricate geometric drawings that were based on systems of logic…she called them ‘Sonokinatography’. While the drawings and painting always had aesthetic appeal, she was interested in collaborations with other artists and open to their performative interpretations. Here, at Francois Ghebaly Gallery,  Mizra transcribes Horwitz’s seminal ‘Sonokinatography Composition III’ in the form of an immersive sound and LED installation that emphasizes the relationship between its sonic and light elements.

Haroom Mirza, A Chamber for Horwitz: Sonakinatography Transcriptions Surround Sound from Artsource Consulting on Vimeo.

Channa Horwitz, Sonakinatography Comosition III, 1975

Channa Horwitz, Sonakinatography Comosition III, 1975

In the rapidly growing DTLA ‘Arts District’, we caught the final days of Alex Hubbard’s ambitious exhibition at Maccarone’s spectacular new space. These large scale works explore painting as performance…Hubbard pours pigmented urethane, resin and fiberglass creating translucent panels where every element including resin stretcher bars and harware is visible.

Alex Hubbard installation at Maccarone Gallery

Alex Hubbard installation at Maccarone Gallery

Italian painter, Luca Bertolo’s small show at Marc Foxx is a great example of the range of styles the artist explores. Experimentation is a word that best describes this artists motivation. Perhaps it comes from his early education in mathematical logic which got left behind after illustration classes proved to be a whole new frontier for discovery. Whatever the influence, this is an excellent painter.

Luca Bertolo, Untitled 15#07, 2015 and Monumento, 2015 both oil on canvas

Luca Bertolo, Untitled 15#07, 2015 and Monumento, 2015 both oil on canvas (photos, courtesy Marc Foxx Gallery)

 

CES Gallery had a nice group show of emerging artists whose work focuses on material experimentation. Artist team Doty/Glasco’s work was a standout. The artists spent most of 2014 touring the US and photographing it’s glory. This body of work references Plaza Blanca in New Mexico. Printed on silk which is flowing at the bottom, the work takes on it’s own topography.

The White Place, #27, 2015, archival pigment print on silk,poplar, acrylic paint

The White Place, #27, 2015, archival pigment print on silk,poplar, acrylic paint

Diana Thater at Los Angeles County Art Museum is a ‘not to be missed’ exhibition. This comprehensive exhibition reaches back to 1992 and includes some of Thater’s most significant works. This immersive show explores the complex relationships humans have with nature.

Diana Thater, installation. LACMA

Diana Thater, installation. LACMA

Artist Joe Reihsen has just opened The Viewing Room where he and co-curator Tony Lewis in their exhibition, Spaghetti Code explore notions of the human body in the digital world. Spaghetti code is a term for source code that is messy and if one error occurs then everything else is effected or crashes. Each of the artists featured in this show use structure or structured methods to make their work to very different ends. Samantha Bittman for example uses weaving as structure but with strategically placed painting, the underlying structure is obscured and visually less relevant.

 

Samantha Bittman, Untitled, acrylic on handwoven textile

Samantha Bittman, Untitled, acrylic on handwoven textile

At ARTBandini, an artist run space off the beatten path we were glad to learn about the work of Katie Shaprio. Having just recently completed her MFA at UC Irvine, and then a residency at the Banff Center, Shapiro’s collages and large scale prints express her poetic view of the landscape.

Katie Shapiro, Untitled, mixed media collage

Katie Shapiro, Untitled, mixed media collage

 

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