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Artsource Blog

Check back here from time to time to get updates on what we like, exhibits to see, and art related ideas. If you’re interested in more information about what you see here, please email us.

  • To Do List

April To Do List

Wilson Rodríguez “Terraza Ancestral”, acrylic on paper.  Image courtesy of Slash Art.

Ongoing to June 26 – Arboreal at Slash Art:  This is Slash Art’s inaugural exhibition at their new space at Minnesota Street Project.  This group exhibition, curated by Juana Berrío, brings together artists around the idea that humans are like trees – we belong to a closely connected yet diverse forest.  The exhibition proposes an “arboreal” way of understanding the world and invites us to rethink the relationship we have with the forests and with one another. The artists’ works draw on Indigenous knowledge and experience, notions of inner sound and resonance, Buddhist pragmatism, the practice of walking, activism, and biology. While trees appear to be static, unable to move from one place to another, their bodies contain the many interconnected layers and nuances that make life possible.  Artists in the exhibition: Bill Fontana, Helen Mirra, Delcy Morelos, Wilson Rodríguez, Emerson Uýra, and Cecilia Vicuña.  Slash Art is located at 1150 25th Street and is open by appointment.  To visit, please schedule an appointment here.

 

 

Jayashree Chakravarty, “Personal Space” painting on paper and Lam Tung Pang “A Day of Two Suns” video installation.  Images courtesy of the Asian Art Museum.

On View – Memento: Jayashree Chakravarty and Lam Tung Pang at The Asian Art Museum:  The inaugural Hambrecht Contemporary Gallery installation, Memento, includes two works that speak to contemporary global issues of urbanization and political uncertainty.  The immersive video installation A day of two Suns (2019) by Hong Kong–based artist Lam Tung Pang (b. 1978) captures a changing Hong Kong. On both sides of a suspended diaphanous paper screen, unsynchronized images from four projectors combine with shadows of museum visitors, inviting us into an emotional landscape. “This work is prophetic and nostalgic,” notes Head of Contemporary Art Abby Chen about the newly acquired work. “It documents a city, and a system, in the process of fading and awakening.”  Personal Space (2001), a layered, dreamlike painting by Kolkata-based artist Jayashree Chakravarty (b. 1956), is an imaginary map built up from painted strips of paper. At eight feet tall and more than 30 feet wide, the colossal scroll furls and unfurls, establishing an architectural presence in the gallery. As you circle the work in an attempt to chart a course through the chaos of streets, signs, and natural landmarks, you experience the disorientation the artist felt as the rapidly expanding city swallowed the countryside of her youth.

 

 

Ebony G. Patterson “… between the stems sits a red cap above and below crown imperials…” mixed media.  Image courtesy of SJICA.

Ongoing to September 5 – Ebony G. Patterson …when the cuts erupt…the garden rings…and the warning is a wailing… at San Jose Institute of Contemporary Art:  This exhibition is the first major solo exhibition of Ebony G. Patterson on the West Coast.  It features a large-scale, five-panel work displayed with custom wallpaper, a sculptural and tapestry installation and two large works on paper hung as a diptych.  Patterson has long been fascinated by the garden and its metaphorical possibilities. The garden is a “postcolonial” symbol in her work, where the invisible remnants of violent histories interrupt visible space. The garden offers many rich possibilities for interpretation – life and death, transplanting and notions of “native” vs “foreign,” beauty, danger, wealth, and sin.  To see the exhibition please schedule a visit here.

 

 

Sanford Biggers “BAM (Seated Warrior)”  bronze.  Image courtesy of  San Jose Museum of Art.

Ongoing to April 25 – Barring Freedom at the San Jose Museum of Art:  Barring Freedom features works by twenty US-based artists that challenge how individuals see and understand our nation’s prison industrial complex—a nexus of policing, surveillance, detention, and imprisonment.  While this group show was conceptualized before the current crises, first COVID-19, with its ongoing and unequal effects, and then the brutal onslaught of police killings of Black people in the United States, these recent events have brought into sharp relief the horrific consequences of mass incarceration in the US, which has the highest number of jailed individuals across developed nations.  The San Jose Museum of art is open Friday–Sunday, 11am–5pm.

Tuesday, April 20, 2021, 4 to 5:30 – (RE) Enacting a Revolution with Dred Scott and Erin Gray:  In conjunction with the exhibition is this conversation about art, revolution, and reenactments.  Dread Scott’s recent large-scale art project, Slave Rebellion Reenactment, was a community-engaged performance reenacting the largest rebellion of enslaved people in U.S. history. Professor Erin Gray, UC Davis, will join him in conversation.  Register for the conversation here.

 

 

 

 

Elisheva Biernoff “Signal” acrylic on 1/32 inch plywood, painted on both sides.  Image courtesy of Fraenkel Gallery.

April 1 to May 28 – Elisheva Biernoff: Starting from Wrong at Fraenkel Gallery:  This exhibition features twelve meticulously detailed paintings measuring no larger than 4 x 5 inches each. All completed since 2017, Biernoff’s recent paintings are carefully observed, two-sided works based on found and anonymous photographs.  Each of Biernoff’s paintings requires three to four months to complete, belying the instantaneous nature of the source material. Aptly beginning with a work titled Wrong 1966, Biernoff’s new paintings depict photographs that may be considered to have failed in a variety of ways. These “failures” include various forms of fading, sun flares, and color shifts, with elements that appear to be damaged or missing. In Him, 2018, a man in a suit is obscured by sunlight coming from behind, rendering him anonymous, and breaking photography’s classic taboo against placing a subject in front of bright light. A mysterious Polaroid verges on jarring abstraction in Instant, 2021, as dark grey patches of “damaged” emulsion appear to rend a light-dappled oceanscape.  Fraenkel Gallery is located at 49 Geary Street.  To visit, please book an appointment here.

 

 

 

Clockwise from top left: Danielle Dean, Genevieve Quick, Rene Yung (photo by Andria Lo), David de Rozas.  Images of artists courtesy of Headlands Center for the Arts.

Wednesday April 21, 6 to 6:45pm – Online Open Studios with Danielle Dean, Genevieve Quick, Rene Yung and David de Rozas:  Visiting an artist’s studio at Headlands Center for the Arts is one of the most magical experiences.  The informal conversations about process and practice, bumping into someone you know, the serendipitous connections that arise in the buzz of ideas and aesthetics. Headlands Center for the Arts is hoping to capture that buzz in an online open studios event with Headlands Artists, and they invite you to drop-in from wherever you are. Register now, and on the day of you’ll be able to pop-in to virtual rooms via Hopin to chat with Artists, and each other.  Register for the online event here.

 

 

Lance Rivers “Untitled (Bridge pillars)”  watercolor and ballpoint on paper.  Image courtesy of Creativity Explored.

Friday, April 23, 5:30 – 7:00:  Art Changes Lives A virtual benefit for Creativity Explored:  Creativity Explored gives artists with developmental disabilities the means to create and share their work with the community, celebrating the power of art to change lives.  This year’s annual benefit features a virtual cocktail reception, featuring surprising entertainment, community connections and interactive activities.  Then tune into a live auction, and a short program celebrating Creativity Explored’s talented artists and their life changing services. Stick around after the show to dance and mingle with the CE community.  For tickets and event registration, please visit here. 

 

 

 

  • To Do List

March To Do List

Richard Diebenkorn “Ocean Park #23” oil and charcoal on canvas.  Image courtesy of Berggruen Gallery.

Ongoing to April 30 – Richard Diebenkorn: Paintings and Works on Paper, 1948-1992 at Berggruen Gallery:  This is a historical survey exhibition featuring over fifty paintings, works on paper, and limited-edition prints—including rarely exhibited works from private collections.  Richard Diebenkorn, whose career spanned five decades, has long been revered as one of the most influential 20th-century American painters. He is also considered a quintessentially Californian artist. His profound oeuvre is comprised of distinct aesthetic periods, including unprecedented exploration into abstraction, the figure, landscape, and still life. Today, the artist is most known for helping found the Bay Area Figurative movement in the 1950s and for the masterful Ocean Park series he commenced in the 1960s.  Diebenkorn produced such a compelling body of work throughout his lifetime that his influence continues to inspire artists today.  Berggruen Gallery is located at 10 Hawthorne Street in San Francisco and is open by appointment only.  Please visit here to schedule a visit.

 

 

Tania Candiani, “For the Animals” (still).  Image courtesy of Kadist Foundation.

Ongoing to May 2 – La Luz Entre Nosotros and The Light Between Us an online video exhibition at Kadist:   Curated by Julio Cesar Morales this is a two-part online video exhibition.  The titles refer to the light that now perpetually shines between us as we keep our distance, at once illuminating and casting a shadow. During a time of great uncertainty and opposition, the video program looks to leading voices in contemporary art to cast light on our commonalities and encourage reflection on where we go from here. The videos address issues of labor, migration, loss, intimacy, and our relationship to the environment, both psychological and physical.

Part 1 can be viewed now until March 29, and includes Tania Candiani, Tiago Rocha Pitta, Iván Argote and Julio Cesar Morales.

Part 2 can be view March 30 to May 2, and includes Marco Rios, Petra Cortright, Jennifer Locke, Ranu Mukherjee, Eamon Ore-Giron, Kate Gilmore, Ana Teresa Fernández, Allora & Calzadilla, Javier Castro, Shahzia Sikander, Anthony McCall

 

 

Lisa Solomon detail of “Senninbari [1000 stitch knot belt]” hand dyed cotton rope.  Image courtesy of Bedford Gallery.

Ongoing to June 13 – A Beautiful Mess: Weavers And Knotters Of The Vanguard at Bedford Gallery:   Using rope, yarn, clay and wire, this group of conceptual artists knot and twist their media into sculptures that range from minimal and hyper-organized to utter pandemonium. They explore personal and political ideals — order and chaos to the extreme — and freely break the rules to create their artworks. Serious about making a strong cultural and intellectual impact, this group of women artists deftly weaves their message into works that demonstrate extraordinary technical skill.  Artists include: Windy Chien, Kira Dominguez Hultgren, Kirsten Hassenfeld, Dana Hemenway, dani lopez, Hannah Perrine Mode, Liz Robb, Katrina Sánchez Standfield, Meghan Shimek, Lisa Solomon and Jacqueline Surdell.  View this exhibit online now, and check back on the Bedford Gallery website for in-person visits.

 

 

Celeste-Marie Bernier; Judith Butler. Photo by Stefan Gutermuth; Isaac Julien. Photo by Thierry Bal.

Thursday March 4, 12 to 1:30 pm – Celeste-Marie Bernier, Judith Butler, and Isaac Julien in Conversation presented by McEvoy Foundation for the Arts:  This online conversation with Celeste-Marie Bernier, Judith Butler, and Isaac Julien, explores Douglass’ legacy and the influence of key historical figures featured in Lessons of the Hour.  In this  conversation, Julien is joined by the celebrated philosopher and educator Judith Butler and acclaimed Douglass scholar Celeste-Marie Bernier to explore Douglass’ legacy as well as the influential role of figures such as his wife Anna Murray-Douglass, the suffragettes, and others important to his life and voice. Butler’s renowned scholarship in the fields of philosophy, ethics, and feminist, queer, and literary theory guides her moderation of the conversation.  This program takes place online via Zoom, registration is free here.

 

Stephanie Syjuco “Afterimages (Interruption of Vision)” Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag. Image courtesy of Catharine Clark Gallery.

March 6 to April 10 – Native Resolution at Catharine Clark Gallery:  This is a solo exhibition of new work by Stephanie Syjuco that resulted from a 2019/2020 Smithsonian Artist Research Fellowship.  Syjuco spent hundreds of hours embedded in the archives of the National Museum of American History and the National Museum of Anthropology in Washington DC, searching for visual evidence of the Philippines and Filipinos in the official American archive. Syjuco’s presentation expands on the artist’s research into the problematic construction of American history and concurrent histories of photography that inform deeply biased structures foregrounding whiteness as a normative subject. Borrowing from the visual language of photography, anthropology, and museum archives, Native Resolution examines how these disciplines go hand-in-hand with producing and proliferating images and documents of exclusion, generating a skewed collection that mirrors an American imagination built on ethnographic record and cultural Othering.  Catharine Clark Gallery is located at 248 Utah Street.  To view the exhibition please schedule a visit here.

 

 

Ann Meade, Untitled, watercolor on paper.  Image courtesy of NIAD Art Center.

Saturday March 6, 1 – 3 pm – WIN WIN 9: NIAD Art Center’s Annual Benefit Fundraiser:   NIAD Art Center is a progressive art studio working with artists with disabilities to create art, located in Richmond.  For the annual fundraiser WIN WIN you can participate from anywhere. When you purchase a ticket, you will receive one 6×6″ work of art randomly selected for you (shipped). Also included in the event is a silent auction featuring works from more than 20 NIAD artists, and a live auction featuring works from other contemporary artists from the Bay Area and beyond who support NIAD.  For tickets and registration, visit here.

 

 

Terri Loewenthal, “Psychscape 34 (Galena Creek Falls, NV)” archival pigment print.  Image courtesy of Southern Exposure.

Friday March 26, 7 pm, Shine Together Southern Exposure’s Annual Art Auction: This year’s livestream event features silent and live auctions showcasing over 125 pieces of artwork from some of the Bay Area’s leading new and established artists, entertainment from local performers, and a joyful online gathering of the SoEx community. Participate to celebrate the continued vitality and radiance of experimental art in the Bay Area.  Reserve your ticket here.

 

 

Clare Rojas “Tulips” Color sugarlift aquatint etching.  Image courtesy of Paulson Fontaine Press and Kala Art Institute.

March 11 to May 16 – Art Kala 2021 Auction Benefit:  Celebrating Kala’s 47th year, Art Kala 2021 brings together Kala’s creative community and features the inventive and meaningful art being made here in the Bay Area. This year Kala honors Demetri Broxton, Jordan Ann Craig, and Carissa Potter as the 2021 recipients of the Master Artist Award.  The exhibition will include work by Kota Ezawa, Jim Melchert, Masako Miki, Kelly Ording, Steuart Pittman, Clare Rojas, Ron Moultrie Sanders, Seiko Tachibana, Tara Tucker, Ryan Whelan, Lena Wolff, Chelsea Wong, and many more. On Friday, March 12th the show will be visible on Artsy.com and open to the public. The show will remain open through Sunday, May 16th by appointment to maintain social distancing.  Purchase VIP preview tickets here. Kala Art Institute is located at 2990 San Pablo Avenue in Berkeley.

 

 

SFAI News, Jay DeFeo and Hayward King, October 15, 1962. Image courtesy of San Francisco Art Institute.

Friday March 19 to July 21 – A Spirit of Disruption in the Walter and McBean and Diego Rivera Galleries in the San Francisco Art Institute:  The San Francisco Art Institute (SFAI) celebrates its 150th anniversary in 2021 with ​A Spirit of Disruption, ​an exhibition that reflects on the school’s profound and sustained influence on contemporary art and highlights the contributions of generations of diverse artists and individuals often overlooked in the historical narrative of SFAI.  Curated by Margaret Tedesco and Leila Weefur,  ​A Spirit of Disruption​ includes the work of more than thirty alumni and faculty from the 1960s to the present; a dynamic media installation drawn from SFAI’s vast archive; and a section dedicated to artist model Florence “Flo” Wysinger Allen, the subject of countless paintings, sculptures, and drawings made at the school from 1933-1997.  Also launching in conjunction with the March 19th exhibition opening and anniversary day is a 10-episode podcast and web series, created by the exhibition’s curators, that reveals new stories and old gleaned from the archive.  SFAI is located at 800 Chestnut Street in San Francisco and open Tuesday to Saturday from 11 am – 6 pm.

 

 

 

 

  • To Do List

February To Do List

L: Sara Vanderbeek, “Ancient Woman VII”, watercolor and mixed media on digital C-print; R: Yelena Yemchuk, Untitled, collage. Images courtesy of Altman Siegel gallery.

Ongoing to February 27 – soft network, online viewing room at Altman Siegel: soft network is a cooperative platform established by Chelsea Spengemann and Sara VanDerBeek for connective arts programming. They work between past and present to explore ways in which the archive and archival interactions can become integral modes of exchange, collaboration, creativity and commerce. soft network’s mission is to provide opportunities for living artists and the representatives of non-living artists to support each other through sharing resources, labor and profits by generating new projects in collaboration with existing platforms. For their first project, soft network presents a collaborative conversation and exhibition, jointly hosted by Altman Siegel in an Online Viewing Room and by Rachel Comey on her website and in her New York showroom.

 

Kentara Kawabata, “Batista 1” porcelain, glass, slag, feldspar. Image courtesy of Ratio 3.

Ongoing to March 20 – Sea Change at Ratio 3:  This group exhibition is in collaboration with Los Angeles-based gallery Nonaka-Hill and Ratio 3. Featuring artists from each galleries’ program, as well as artists who have not previously exhibited with either gallery, the exhibition presents an immersive experience of Japanese ceramics, sculptural objects, minimal painting, and photography. Taken together, the artworks that comprise Sea Change emphasize the sensibilities shared among a diverse group of international artists working across disparate media and artistic traditions.  Ratio 3 is open by appointment, click here to schedule a visit.

 

 

Peter Burr “Black Square” video still. Image courtesy of Telematic Media Arts.

Ongoing to March 27 – Peter Burr’s Responsive Eye: an Exhibition in three parts presented by Telematic Arts with support from Headlands Center for the Arts, Minnesota Street Project and California College of the Arts:  Responsive Eye is a multimedia exhibition in three parts by Brooklyn artist, Peter Burr, which examines the ways we endure contemporary life.  Part I: People, Kid Games, and the Infinite is presented in person at Telematic’s SOMA West gallery space; Part II: Black Square, is presented by Telematic at Minnesota Street Project’s Black Box Gallery, and Part III: theshapeofempty.space is presented online with support from Headlands Center for the Arts.

To view Part I through February 20 visit Telematic Media Arts 323 10th St. @ Folsom, San Francisco Tuesday—Friday, 11am – 4pm, or by appointment.

To View Part II Black Square visit Minnesota Street Project’s Black Box Gallery 1275 Minnesota St – opening February 6, Tuesday—Saturday, 11am – 6pm.

Part III is presented online through March 27 at theshapeofempty.space by Headlands Center for the Arts.

 

 

Miguel Arzabe “In Place” woven archival inkjet prints on canvas. Image courtesy of Johansson Projects.

Ongoing – Community Garden exhibition at Johansson Projects:  Community Garden is a group exhibition of seven artists that cultivate an abundance of connections. Using a variety of methods, the artists achieve a naturalism that aesthetically binds their work together into a single gesture, allowing us glimpses and sensations of the open spaces where we once walked freely, and will soon return. Artists in the exhibition: Miguel Arzabe, Rachelle Bussières, Craig Dorety, Matthew F Fisher, Alexander Kori Girard, Kristina Lewis and Blaise Rosenthal. The exhibition is available for in-person viewing Fri and Sat 1-5pm and by appointment. Johansson Projects is located at 2300 Telegraph Ave in Oakland.

 

 

Installation view at Hosfelt Gallery.

Ongoing to March 6 – ASSEMBLED: Bruce Conner / Jean Conner / Anonymous / Anonymouse / Emily Feather / Signed in Blood at Hosfelt Gallery:  Hosfelt Gallery presents its first exhibition in collaboration with the Conner Family Trust — a show which mines 60 years of work by Bruce Conner and Jean Conner (as well as by Anonymous, Anonymouse, Emily Feather and Signed in Blood), across the genres of drawing, collage, assemblage and painting — highlighting shared themes and recurring motifs.  150 works, some from the private collection of Jean Conner and many never exhibited before, illustrate the artists’ intertwined interests in mysticism, religion, social and cultural norms, the natural world and the human body. Hosfelt Gallery is open by appointment, schedule your visit by clicking here.

 

 

 

Artist Shirin Neshat. Image courtesy of Stanford University.

February 8 at 5 pm –  Shirin Neshat and Abbas Milani in conversation on Stanford University’s YouTube channel:  Shirin Neshat is an Iranian-born artist and filmmaker living in New York. Neshat works with the mediums of photography, video and film to explore themes of gender, identity, politics in Muslim countries, and the relationship between the personal and political.  Abbas Milani is the Hamid & Christina Moghadam Director of Iranian Studies and Adjunct Professor at the Center on Democracy, Development and Rule of Law at the Freeman Spogli Institute at Stanford University. He has been one of the founding co-directors of the Iran Democracy Project and a research fellow at the Hoover Institution. His expertise is U.S.-Iran relations as well as Iranian cultural, political, and security issues.  RSVP for the conversation here to receive the link.

 

 

Lunar Year of the Ox image Courtesy of the Asian Art Museum.

February 4 at 7 pm– Lunar New Year Poetry and Calligraphy with Poets Michael Warr, Chun Yu, and Calligrapher Aiqin Zhou presented online by the Asian Art Museum:  Celebrate the Year of the Ox with the Asian Art Museum. Poets Michael Warr and Chun Yu read works in English and Chinese (Mandarin) that reflect the essence of the New Year — vanquishing the past, embracing new beginnings, and venerating ancestors — while Aiqin Zhou demonstrates her skillful calligraphy by illustrating some of the poems. Purchase tickets to the live online event by clicking here.

 

  • To Do List

January To Do List

“Easy Living” production still, 1984, by Chip Lord and Mikey McGowen.

January 4 – 8 – Chip Lord Unfolding Video Festival on Minnesota Street Project Adjacent: Debuting this evening, January 4, the online exhibition space Minnesota Street Project Adjacent features a limited-time streaming event of video works by artist Chip Lord. Viewable until January 8, each program features a selection of works with a never-before-seen introduction by Lord. The 14 videos continue the creative process pioneered by Ant Farm, the collective founded by Lord and Doug Michels which worked on the radical fringe of architecture and art from 1968 – 1978. For the screening schedule please visit the website here.

In conjunction with the festival, Lord will be in live conversation with Rudolf Frieling (Curator of Media Arts, SFMOMA) on January 7. Register for the talk via Zoom here. These events are organized in conjunction with the exhibition Chip Lord: Folding Back Time, Form, + Format
 at Rena Bransten Gallery 
through January 30.

 

Installation view at Gallery 16.

Ongoing to January 20 – The Violets in the Mountains Have Broken the Rocks at Gallery 16:  For the last exhibition in its current location, Gallery 16 presents presents a selection of artists who’ve shown with the gallery over the last 14 years.  The show presents works with messages that have evolved when viewed through the lens of this particular moment in our history. All of the work in this exhibition was made long before Covid 19, but given the extraordinary year we’ve all experienced, these works take on new meaning and clarity. Artists included; Ala Ebtekar, Rebeca Bollinger, Tucker Nichols, Adriane Colburn, Amy Franceschini/Futurefarmers, Cliff Hengst, Lynn Hershman Leeson, Libby Black, Johanna Jackson, Charles Linder, Graham Gillmore, Alice Shaw, Meryl Pataky, Deborah Oropallo, Jason Jagel, Martin McMurray. Gallery 16 is open Tuesday – Saturday, 11 – 5 pm, no appointment necessary, masks required.

 

Kelly Ording “Love Potion” 2020, 56.5″ x 45.5″, acrylic on paper. Image courtesy of Pt.2 Gallery.

January 9 to February 5 – Kelly Ording: Slow Tide at pt.2 Gallery:  Pt.2 gallery in Oakland presents a solo exhibition of works by Kelly Ording.  Ording’s work layers painted geometric patterns (often in saturated colors), over organic shapes that stem from her process of hand-dying canvas and paper surfaces, Ording plays with our natural propensity to seek the familiar in the abstract.  Pt.2 Gallery is open by appointment only, please schedule a visit by emailing the gallery at info@part2gallery.com

 

Nicki Green, “Soft Brick”, 2017, glaze on recycled stoneware with painted MDF and bricks from Peter Voulkos’ kiln at UC Berkeley. Image courtesy of BAC.

January 23 to April 3 – Origin Stories: Expanded Ceramics in the Bay Area at Berkeley Art Center: This group exhibition curated by Tanya Zimbardo, brings together key works by 10 artists and artist groups who consider ceramics in relation to site and place. This survey exhibition features sculpture, video, artist publications, and take-away prints. Select works trace where material comes from in the landscape, while others investigate histories of ceramic production and the movement of objects across borders. Several artists bring a conceptually driven approach to functional ceramics, embracing the potential to invite participation. The exhibition showcases the contributions of both interdisciplinary artists and artists who primarily work with clay to a larger and vibrant contemporary field. Artists Included: Ebitenyefa Baralaye, Sita Kuratomi Bhaumik and Maria Inés Leal García, The Brick Factory, Ilana Crispi, Futurefarmers, Nicki Green, Dana Hemenway, Kari Marboe, Mutual Stores, Stephanie Syjuco.  This exhibition will be installed in the gallery, and featured online. Check for open hours to visit in person here.

 

January 25 to 31 – 4 x 8 – bridges, online exhibitions:  In the tradition of San Francisco’s celebration of the visual arts in January, 8-bridges is pleased to announce 4 x 8-bridges – an expansion of the 8-bridges website to include thirty-six Northern California art galleries, each showing four carefully selected works as well as a series of talks, podcasts and zoom walk-throughs.  Galleries included: Altman Siegel, Anthony Meier Fine Arts, Bass & Reiner, Berggruen, Casemore Kirkeby, Catharine Clark Gallery, Cloaca Projects, Creative Growth, Crown Point Press, CULT Exhibitions, Delaplane, Eleanor Harwood Gallery, Et Al, Ever Gold [Projects], Fraenkel Gallery, Friends Indeed, Gagosian, Gallery Wendi Norris, Guerrero Gallery, Haines Gallery, Hashimoto Contemporary, Hosfelt Gallery, Jenkins Johnson Gallery, Jessica Silverman, Johansson Projects, Mercury 20 Gallery, Pace Gallery, Pamela Walsh, Pt.2, Ratio 3, Rebecca Camacho Presents, Rena Bransten Gallery, Romer Young Gallery, Sarah Shepard Gallery, SLASH, and SWIM Gallery. To view the gallery presentations and programming, visit the website here.

 

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    Our April #ToDoList is up on our blog today! Link Our April #ToDoList is up on our blog today! Link in bio above to find exhibits, open studios and a fundraiser to engage with art in the #BayArea. 
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#artsourceconsulting #collectart #wilsonrodriguez #jayashreechakravarty #lamtungpang #ebonypatterson #sanfordbiggers #elishevabiernoff #danielledean #genevievequick #davidderozas #reneyung #lancerivers
    #installationday Hung Liu’s “Shipyard Worker”, 2021 For the last several years Liu has turned her focus to the rich content of Dorothea Lange’s archive. Our clients fell in love with this dignified portrait that suggests the possibility of hope and opportunity at a difficult time in American history. Liu’s characteristic style with its washes and drips conjures the passage of memory into history and gives new life and meaning to old images. #collectart #artsourceconsulting #bayareaart #hungliu
    #installationday detail of this joyful and poetic #installationday detail of this joyful and poetic work by #spencerfinch  Each work is a haiku like observation of the world by season. This suite represents Autumn 2019. #collectart #artsourceconsulting #artaboutnature #watercolor #haiku
    Our March #ToDoList is here and filled with ways t Our March #ToDoList is here and filled with ways to support #BayAreaArt! Link to our blog post in bio above ^ 
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#artsourceconsulting #collectart #richarddiebenkorn #taniacandiana #isaacjulien #stephaniesyjuco #lisasolomon #clarerojas #terriloewenthal #NIAD #SFAI
    Thanks @luxmagazine for sharing our client’s por Thanks @luxmagazine for sharing our client’s portrait wall! We loved curating this grouping which started with an old family portrait and grew to include Andy Warhol, Gideon Rubin, Colter Jacobsen and Maurizio Anzeri. 
#collectart #artsourceconsulting #andywarhol #gideonrubin #colterjacobsen #maurizioanzeri 
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#Repost @luxemagazine 
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A charming vignette. #LuxeAtHome. @sandow | Photo: @trevortondro Architect: @kenlinsteadtarchitects Interiors: @palmerweiss Builder: Plath & Company Landscape: @denlerhobartgardens. Tour the home at link in bio.⁠
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#luxesf #sfliving #mysanfrancisco #bayareahomes ⁠
#homedecor #home #homeinspiration #homeinspo #homestyle #instahome #instaluxe #luxuryhome #luxuryinteriors #beautifulhomes #ighome #architecture #myhomesense #residentialdesign #houseandhome #architectureanddesign #decorlovers⁠
    Progress check on the fabrication of @taranehhemam Progress check on the fabrication of @taranehhemami’s monumental public art sculpture for our project with @atlasoakland! Coming soon ... 
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@gizmoartproduction @oakland #artsourceconsulting #publicart #oaklandpublicart #atlasoakland
    This #richardmisrach photograph we placed in our c This #richardmisrach photograph we placed in our client’s pool house completes the beautiful design done by @palmerweiss !
#artsourceconsulting #collectart 

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#Repost @palmerweiss with @get_repost
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Happy Long Weekend! I know it is snowing most places, but we would be happy to camp out in this client’s pool house rain, shine or snow! .
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📸 @trevortondro 
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#poolcabana #palmerweiss #palmerweissinteriordesign
    Happy to give this Deborah Butterfield a new view- Happy to give this Deborah Butterfield a new view- Kealoha, 2020, original bronze #deborahbutterfield #lalouver #installationday
    It’s February and our #ToDoList is up on our blo It’s February and our #ToDoList is up on our blog full of great online and in-person art to experience! Follow the link in our bio ^
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#artsourceconsulting #softnetwork #saravanderbeek #kentarakawabata #peterburr #miguelarzabe #bruceconner #jeanconner #shirinneshat #yearoftheox #michaelwarr #chunyu #aiqinzhou #collectart #artadvisory #bayareaart
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